Ant-Man. Seriously, how about that Ant-Man? Marvel took a character I had very little knowledge of or interest in and turned it into what’s easily one of the three most pure fun Marvel movies (alongside the original Iron Man and Guardians of the Galaxy.) Paul Rudd was the perfect casting choice, and Evangeline Lilly, Michael Peña, & Michael Douglas do an awesome job rounding out the cast. I kinda want to go see it again.
On the book front, I was apparently on a kick of books that were turned into movies starring Shailene Woodley. Fine with me, because both Divergent & The Fault In Our Stars were pretty great.
I’ve made a number of attempts at writing a novel over the years. While I’ve succeeded at writing and producing plays and screenplays, a finished novel has eluded me. There’s one series in particular that I’ve been working on in one form or another for about five years now. On the first draft I got seven chapters in before restarting, writing another seven chapters, restarting again, writing another two chapters, and then starting over again.
The fourth draft has been more successful. I had a few of the main plot points figured out, but I was still flying by the seat of my pants for the most part. This time around, I got twenty five chapters in and just… hit a wall. It’s not that what I had was bad. I actually like most of it. But I felt like the last few chapters had the characters spinning their wheels, venturing off on this mission, and then that one. Something was missing, and I just couldn’t put my finger on what it was.
It was around that time that I had to focus on finishing post-production for Uncommon Law, so I set the book aside for a while as I completed the movie. When I was finished with that and went back to the book, I realized I still didn’t know where I was going with it.
And that’s when I knew I had a fundamental flaw in my writing process.
Whenever I’ve written a play or a screenplay (you know, those things I’ve actually completed and put out in the world,) I’ve had an outline that I worked from. However, anytime I’ve written fiction, I’ve been a pantser, someone who just writes as it comes, without any outlining or significant planning. Which, I realized, may be why I’ve never actually finished a book. Some of this probably goes back to the times I’ve participated in NaNoWriMo, which has traditionally been the domain of pantsers. Now, don’t get me wrong: There’s nothing wrong with pantsing (unless you’re in public, in which case nobody wants to see that.) It’s great for some people, but it just wasn’t working for me. I had to try something else.
I searched online for different outlining methods, but none really struck my fancy. In my search, though, I saw a number of people on Writer Unboxed and the NaNoWriMo forums recommend K.M. Weiland‘s Outlining Your Novel: Map Your Way to Success. Enough people seemed to swear by it that I decided to give it a look. Reading through it, I felt like it had some good info in it, but I wasn’t certain how much of it would really be helpful. But hey, the old method wasn’t working, so I figured it wouldn’t hurt to take a shot at putting Weiland’s lessons into practice.
I set aside my in-progress novel and pulled out an old idea from over a decade ago (that longtime readers may remember as my short-lived fantasy web comic “Into The Black.”) I had jotted down various ideas or thoughts that had came to mind over the years, but I’d never actually written it. I believed it had a lot of potential, though, so I knew it would be a good candidate to try out the lessons from Outlining Your Novel.
I’m not even a third of the way into the steps listed in the book, and I’m already a believer. Not just in a “hey, this kinda works” way, but in an “I’ve got to obnoxiously tell all my writer friends about this book” sorta way.
Right off the bat, what I love about the method in this book is how it replicates the part of my previous process that actually worked, only it allows me to do it on my own. Previously, one of my best friends acted as a sounding board for my ideas, and we’d have hours-long phone conversations going through all the various “what if” scenarios that could pop up in the book. But, as it does, life happens, and she suddenly had law school, a full time job, and a wedding to plan, so our conversations became shorter and more focused on the personal side of our lives (because as great as it is to have a sounding board, I still prioritize her friendship over all else.)
One of the first things the book has you do is list all the potential “What If” scenarios that could occur, and it encourages you to write down everything, even if it seems ridiculously silly. Following that, you pick out the ones that have the most legs or that give you a visceral reaction, and you extrapolate like crazy on those. Just from doing that exercise, I not only learned things about my characters that worked so much better than the notes I’d already written down, but I’d also figured out what the story should be about and the right angle to take to introduce this world. Some people say they don’t like outlining because it takes away the exhilarating sense of discovery that comes from writing, but damn, I was getting that exact same feeling from brainstorming these ideas up front.
Another recommendation the book made which has been extremely helpful to me has been to do the brainstorming/outlining process by hand. Way back in the day, I used to write all my notes out on notebook paper in three-ring-binders, but when I was in college I switched to doing everything on a computer. In doing so, I found that I’d fallen into one of the traps Weiland mentions: When you’re writing on the computer, it feels so permanent. I had a lot of ideas that would come to mind, but I wouldn’t type them up because I didn’t know if they were worthy of going into my Scrivener file. So instead, they just sat in my mind until I found the right way to incorporate them, or else until I forgot all about them before I could figure out how to make them work. By returning to my old three-ring-binders, I’ve given myself permission to write down every single idea that comes to mind, no matter how implausible, and then when I reach the end of the outlining process and am ready to write, I can transfer all the ideas I’m keeping into the notes on my computer. Also, it means that when I’m outlining, I don’t have all of the distractions of the internet at my fingertips (a big problem of mine.) I still plan to do all the actual writing on my computer in Scrivener, but so far this is working wonders for the outlining/brainstorming process. Boom. Best of both worlds.
I’m looking forward to my daily writing sessions each day as I get further along in this outline and continue to make discoveries about this story, the characters, and the world it’s set in. I can’t wait to start writing the actual story, and feel the relief that comes from knowing where I’m going every step of the way.
The TL;DR version: I was having crazy trouble writing as a pantser, and K.M. Weiland’s Outlining Your Novel: Map Your Way to Success has completely changed the way I write and reinvigorated my creativity. If you’ve been struggling with writing by the seat of your pants, I highly suggest checking out this book. Hopefully it’ll do for you the same as it’s done for me.
Today I wanted to take a moment to talk about a couple of independent movie projects on Indiegogo I’ve recently contributed to that are worth your attention. If they sound interesting to you, please help them out and send a few bucks their way!
Green – Indiegogo Link
Director: Jamel Booth
Plot Outline: Meet Sal. He lives with his two best friends, Natalie and James. He’s an all around upstanding citizen, whose biggest crime is an overdue library book. Sal lives a generally simple life, until an unexpected opportunity lands in his lap. He is forced to make the tough decision of determining what’s right and what’s wrong. But when a powerful figure steps out of the shadows, what began as a seemingly rewarding business venture soon ends in a tough final decision- sell or die.
Green is the debut feature film from Jamel Booth. Jamel’s a friend from Chicago who was asking me about screenwriting & filmmaking from the day I met him, and I’m excited to see what he does with this project.
I Don’t Recall – Indiegogo Link
Director: Jason W. Schaver
Plot Outline: I Don’t Recall tells the story of Martin Corrigan, a mild mannered massage therapist in his mid 30s who is constantly being taken for granted by his parents, brother, his boss, and even his girlfriend. After being the victim of a hit and run, Martin has temporary memory loss. During this time he gets to know his family as strangers and does not like them at all. Once his memory comes back, and seeing his family in this new light, Martin decides to fake amnesia to delay going back to his miserable life of being a chronic pushover.
I Don’t Recall is the fourth feature film by Jason Schaver. I wrote about his first movie, The Truth About Average Guys, a few years ago (see that post here.) TTAAG was one of my inspirations for making Uncommon Law. It was a quality, funny movie produced on a shoestring budget, and it reassured me that, hell yes, I can do this. I’ve talked with Jason a little bit about this project, and he sounds pumped up about it. I know I’m looking forward to seeing it.
Half of the movies I watched this month starred Anna Kendrick. This is never a bad thing.
I’m incredibly excited about the fantastic soundtrack we’ve assembled for Uncommon Law. It’s a great combination of artists, ranging from a band I’ve been a fan of for years (Jonas Sees In Color), friends from all walks of life (college, Florida, Chicago, & my old video game website,) and even a track from my cousin. Music does wonders in setting the tone for a movie, and I’m confident that we’ve assembled the perfect soundtrack for this movie.
My movie intake this month was just movies from the last year or so, but for the most part they were good choices. Between Avengers: Age of Ultron, Ex Machina, & Mad Max: Fury Road, there’s been some good movies in the theaters this month. I’ve also knocked out four of the Harry Potter books this month, and I’m currently working my way through The Half-Blood Prince. I’m surprised by just how GOOD those books are, and I know I shouldn’t be given the phenomenon surrounding them, but they’re just extremely well-written and engaging, and frankly a blessing considering how many kids they’ve gotten into reading. I think one thing I really like about them is, unlike a lot of other Young Adult novels, they never talk down to the reader, which makes them just as accessible to adults.
Uncommon Law is FINALLY in the last phase of post-production! The last four years of my life have been spent writing, producing, directing, & editing this movie, & I’m happy to say that it’s just about ready to see the light of day. Within the coming weeks I’ll be releasing a trailer and posting info on screenings in Atlanta & Chicago. Please like the Uncommon Law FB page and/or sign up for my newsletter to get updates on the film as it nears completion! Thank you!
Didn’t see too many movies this month, but I did finish catching up on Game of Thrones, and I FINALLY started reading the Harry Potter books. A few years behind the times, but hey, better late than never!
I somehow wound up with a bunch of free time in March, & found myself spending a lot of it at the movie theater. I saw eight movies at the theater in the last month, which is probably a new record for me. For the most part, I made good choices. Three were great (Selma, Kingsman, It Follows), two were really good (Run All Night, Cinderella,) one was decent (Focus), and there were only two I didn’t like (Chappie, Unfinished Business.) Thank goodness for the Movie Tavern near me & their $5 matinees.
Written by & Starring John Ugolini & Brian Work
Directed by Theresa Ohanian
Performed at Stage 773 in Chicago, 1/18/2015