I’m incredibly excited about the fantastic soundtrack we’ve assembled for Uncommon Law. It’s a great combination of artists, ranging from a band I’ve been a fan of for years (Jonas Sees In Color), friends from all walks of life (college, Florida, Chicago, & my old video game website,) and even a track from my cousin. Music does wonders in setting the tone for a movie, and I’m confident that we’ve assembled the perfect soundtrack for this movie.
Uncommon Law is FINALLY in the last phase of post-production! The last four years of my life have been spent writing, producing, directing, & editing this movie, & I’m happy to say that it’s just about ready to see the light of day. Within the coming weeks I’ll be releasing a trailer and posting info on screenings in Atlanta & Chicago. Please like the Uncommon Law FB page and/or sign up for my newsletter to get updates on the film as it nears completion! Thank you!
Over the last three years I’ve spent countless hours on my first feature film, Uncommon Law. Between writing, casting, filming, editing, etc., it’s more or less taken over my life. Now I can finally say that the first full cut is done. The road isn’t over yet, because there’s still polish, publicity, festivals, & distribution ahead. But it’s nice to see that light at the end of the tunnel shine a little brighter.
Brian has completed principal photography on his feature film, Uncommon Law, and is now in post-production editing the movie. He has also moved to Chicago, where he is currently taking improv at iO and writing a pair of plays for Gorilla Tango Theatre.
It’s kinda funny when you run into someone after a long time, tell them what you’re up to, and they look at you like you’ve gone completely insane. It probably doesn’t help matters when you kinda agree with them.
My last several weeks have been consumed with auditions, callbacks, responding to hundreds of emails, script revisions, production meetings, and all other manner of insanity that goes into filmmaking when you don’t have anything resembling a budget. On top of that and the usual work load, I shot & edited a music video for Heath McNease (premiering soon!)
The audition process has been incredibly eye opening, particularly because I’ve always been on the other side of the table. I’ve compiled some notes, and when I get a chance I’ll make a post of helpful tips for people submitting for auditions. I’ve already decided that for my next film, I’m going to hire a casting director, because I don’t even know how many hours I spent fielding emails and getting everything prepped for the auditions. I had over 100 people audition for Uncommon Law, with over 200 submitting their information to be considered. I’ve seen a lot of good people, and it’s taken two eight hour casting meetings just to narrow it down to the point where we’ve almost got the whole thing cast. I start making calls to people tomorrow.
Fortunately, my good friend Amy has taken on the role of production manager, which has totally saved my butt. It’s great having someone to bounce ideas off, contact everyone, find locations, and handle the production side of things. Now that casting is just about over, it’ll free me up to focus on the artistic side of things, since I still have little things like revisions and storyboards to worry about (not to mention obtaining equipment.) However, I am taking a reprieve tomorrow to see Super 8. Somehow that feels appropriate, all things considered.
As a side note, I’d like to return to my sleep schedule from ten years ago when I was just fine on four hours of sleep, but I’m afraid my body would rebel against me.
So if you’re wondering why my posts have been more sporadic lately, it’s because I’ve got a number of things on my plate. Aside from the usual work stuff, I’ve got two big projects I’m working on:
1.) I’m in pre-production on my first feature film, Uncommon Law. This has been consuming most of my non-work hours lately. I’m working on screenplay revisions now, along with researching equipment to buy. I was on the phone today ordering replacement parts for my tripod (harder to track down than you’d think), debating on fronting the cost for some high-end lights, and hoping I can find someone who’ll loan me a Canon 7D so I don’t have to buy that, too. It’d be great if I could find a reliable production manager who I could delegate some of the planning tasks to, so I can focus more on the artistic side.
2.) Still slowly chipping away on my novel. I started work on it last November, but recently I decided to toss out the existing chapters and start from scratch. It wasn’t that the writing was bad, but more that I felt the story could be better told in a different style. I had been writing the book from multiple POVs (ala A Song of Ice & Fire), but realized that the story didn’t NEED multiple perspectives in order to be told. Beyond that, I realized that the story I was telling wasn’t the most effective way to open up an ongoing series and introduce people to this world. So I’ve put all that to the side, and am instead starting fresh with something new. I’ve got tons of pages worth of notes about the characters and the world they inhabit (Scrivener is my friend), and I’m excited to go further with it. You know, after I’ve got the movie wrapped; until then, this is low priority.
I’ve got a couple other things in the works, but they’re still in the very early stages. I’m meeting with someone about another project tomorrow, and if all goes well I’ll have something else to announce here soon.
2011’s gearing up to be a busy year for me. I’m kicking it off with a new digital short, “Super Villains in Love,” that I’m going to film on Tuesday and post online ahead of Valentine’s Day (because really, what better way to celebrate than with a couple full of evil intentions.)
In addition, and this is the big one, I’m starting development on my first feature film! It’s a romantic comedy called Uncommon Law, and I’m really excited about it. I made two attempts at shooting a feature several years ago, with both ending in failure. But times have changed, and I’ve got much higher hopes for this film. For one thing, I’m a significantly better writer now (looking back at that old script, it’s plain to see just how terrible it was; we’re talking painfully bad.) I’m also older, less naïve, have a college degree, and more experience both behind and in front of the camera. I’m also smart enough now to surround myself with talented people in various technical areas, rather than trying to do everything at once. It’s going to be a long, difficult road, and I’ve still got a ways to go and several positions to fill, but it’s a journey I can’t wait to take.