This is a music video I shot, edited, and co-directed/produced with some friends to celebrate the return of the NBA.

Brian is currently in production on his first feature film, Uncommon Law, which he is writing, directing, and producing with his production company, Cold Silver Films. Shooting is scheduled to be completed in early September. Visit the official page for more information.

Brian’s new digital short, “Cowboys vs. Aliens vs. Everything,” is now available on Funny or Die and YouTube!

Check out the promo video Brian directed & edited for the release of Heath McNease’s Straight Outta Console: The Nintendo Thumb Mixtape, due for release on July 4. The promo includes a music video for “I Did It All For Tanuki” and a preview of “Chopsylvania.” All tracks contain music from classic Nintendo games.

It’s kinda funny when you run into someone after a long time, tell them what you’re up to, and they look at you like you’ve gone completely insane. It probably doesn’t help matters when you kinda agree with them.

My last several weeks have been consumed with auditions, callbacks, responding to hundreds of emails, script revisions, production meetings, and all other manner of insanity that goes into filmmaking when you don’t have anything resembling a budget. On top of that and the usual work load, I shot & edited a music video for Heath McNease (premiering soon!)

The audition process has been incredibly eye opening, particularly because I’ve always been on the other side of the table. I’ve compiled some notes, and when I get a chance I’ll make a post of helpful tips for people submitting for auditions. I’ve already decided that for my next film, I’m going to hire a casting director, because I don’t even know how many hours I spent fielding emails and getting everything prepped for the auditions. I had over 100 people audition for Uncommon Law, with over 200 submitting their information to be considered. I’ve seen a lot of good people, and it’s taken two eight hour casting meetings just to narrow it down to the point where we’ve almost got the whole thing cast. I start making calls to people tomorrow.

Fortunately, my good friend Amy has taken on the role of production manager, which has totally saved my butt. It’s great having someone to bounce ideas off, contact everyone, find locations, and handle the production side of things. Now that casting is just about over, it’ll free me up to focus on the artistic side of things, since I still have little things like revisions and storyboards to worry about (not to mention obtaining equipment.) However, I am taking a reprieve tomorrow to see Super 8. Somehow that feels appropriate, all things considered.

As a side note, I’d like to return to my sleep schedule from ten years ago when I was just fine on four hours of sleep, but I’m afraid my body would rebel against me.

So if you’re wondering why my posts have been more sporadic lately, it’s because I’ve got a number of things on my plate. Aside from the usual work stuff, I’ve got two big projects I’m working on:

1.) I’m in pre-production on my first feature film, Uncommon Law. This has been consuming most of my non-work hours lately. I’m working on screenplay revisions now, along with researching equipment to buy. I was on the phone today ordering replacement parts for my tripod (harder to track down than you’d think), debating on fronting the cost for some high-end lights, and hoping I can find someone who’ll loan me a Canon 7D so I don’t have to buy that, too. It’d be great if I could find a reliable production manager who I could delegate some of the planning tasks to, so I can focus more on the artistic side.

2.) Still slowly chipping away on my novel. I started work on it last November, but recently I decided to toss out the existing chapters and start from scratch. It wasn’t that the writing was bad, but more that I felt the story could be better told in a different style. I had been writing the book from multiple POVs (ala A Song of Ice & Fire), but realized that the story didn’t NEED multiple perspectives in order to be told. Beyond that, I realized that the story I was telling wasn’t the most effective way to open up an ongoing series and introduce people to this world. So I’ve put all that to the side, and am instead starting fresh with something new. I’ve got tons of pages worth of notes about the characters and the world they inhabit (Scrivener is my friend), and I’m excited to go further with it. You know, after I’ve got the movie wrapped; until then, this is low priority.

I’ve got a couple other things in the works, but they’re still in the very early stages. I’m meeting with someone about another project tomorrow, and if all goes well I’ll have something else to announce here soon.

“Where Are They Now: Beloved 1980s Movie Characters”, directed by Brian Work, is now available on Funny or Die and YouTube!

My new digital short, “Super Villains in Love” is now online at Funny or Die & YouTube! Go check it out and help me spread the link around! And remember, if you see an evil genius walking around this Valentine’s Day, perhaps looking forlornly at some fresh flowers in a window, give him a hug. Even the insanely evil need a little love from time to time.

Of all the digital shorts I’ve made, I’ve probably put the most time into this one. Between writing, planning, shooting, & editing, I’ve got at least 24 hours invested in this baby. A lot of it is because I was trying out several new things with this short, making it a test run in some ways for the feature I’m planning to shoot.

Rather than shoot on my PD-150 that I’ve been using for the last eight years, I shot this one on my Canon Rebel T1i. It was a completely different experience shooting on a DSLR, and was made more difficult by the fact that I was also in front of the camera for the whole thing; it also didn’t help that I need to replace the head on my good tripod, so I was stuck doing only static shots on an old crappy tripod. I can get better picture quality on my Rebel because I can shoot in HD & use my good lenses, but the downside is that it doesn’t have an audio input. This required me to hook my mic up to my PD-150, record the sound on there, and then sync the two up in post. It’s not ideal, but it’s the setup I’m stuck with until I can afford a Zoom H4n audio recorder.

On top of that, the audio for the second scene I shot was completely unusable because the location was right across from the freeway. For that, I had to sit down in a quiet room with Lacey and re-record the lines while watching the video with headphones on, and then match up all the lines as best I could (or should I say, Sean used his degree in audio to guide me through the whole process.) So I got a nice first-hand lesson in how to do ADR.

Finally, I sat down with Kelly for three hours and worked on the music for the whole thing. This is the first short for which I’ve had a custom score, and it was an unusual experience. He already had a few ideas from watching a rough cut, so he showed me some ideas, I told him what I’d been thinking, and we watched it through about a gazillion times while trying out different things. It was tough trying to direct music, finding the terms that best got across what I was thinking, but he was able to decipher my grasps at coherency and produced a score that’s a great fit.

This short has been a fantastic learning experience, and I’m really proud of the finished product. Give it a watch & share it with your friends!

Brian has posted a new digital short with his production company, Cold Silver Films. Brian wrote, directed, and acts in the short, “Super Villains in Love”, which can be seen on Funny or Die and YouTube!

2011’s gearing up to be a busy year for me. I’m kicking it off with a new digital short, “Super Villains in Love,” that I’m going to film on Tuesday and post online ahead of Valentine’s Day (because really, what better way to celebrate than with a couple full of evil intentions.)

In addition, and this is the big one, I’m starting development on my first feature film! It’s a romantic comedy called Uncommon Law, and I’m really excited about it. I made two attempts at shooting a feature several years ago, with both ending in failure. But times have changed, and I’ve got much higher hopes for this film. For one thing, I’m a significantly better writer now (looking back at that old script, it’s plain to see just how terrible it was; we’re talking painfully bad.) I’m also older, less naïve, have a college degree, and more experience both behind and in front of the camera. I’m also smart enough now to surround myself with talented people in various technical areas, rather than trying to do everything at once. It’s going to be a long, difficult road, and I’ve still got a ways to go and several positions to fill, but it’s a journey I can’t wait to take.