Everyone who knows me who has ever heard me talk about music knows that I’m a huge Butch Walker fan. He is by far my favorite artist, and has been for over a decade now. There’s something about his music and lyrics that really moves me, and is easy for me to relate to. Regardless of the mood I’m in or what I’m feeling at a particular time, he has a song for that (hmm, I think there’s an iPhone add in there…) And not only does he have a song for whatever it is, he has the RIGHT song for it. So anytime I get the chance to see him play live, I jump at it. I’ve jumped almost 20 times now.
Is it really any surprise that this site is named after one of his songs? (note: this was written when the blog was hosted on my IntoTheBlack.com domain)
This was Butch’s final stop on a four city minitour (like a minotaur, but with roadies) that took him from LA, to NY, to Chicago, and finally ATL. He’s had a four show residency in each city, where he takes a night each for his last three albums (Letters, The Rise & Fall of Butch Walker and the Let’s Go Out Tonites, and Sycamore Meadows,) and then one more show that’s a grab bag of songs from throughout his career that was voted on by his fans over Twitter. When I ordered tickets, I had originally intended to buy them for the Letters show, as the grab bag show was sold out & Letters is my favorite album. However, due to a mistake on the Ticketmaster site, the shows had been mislabeled, and I had actually purchased tickets for the grab bag show. In any case, it’s certainly nothing I’d complain about.
My friend Krissy went with me to the concert, and it was her first experience with Butch Walker. She’d probably heard some of his music before just from being around me, but she hadn’t heard any of his albums, let alone seen him live. And seriously, if you want to introduce someone to Butch’s music, the absolute best way is by taking them to one of his shows. The man’s not just a songwriter; he’s a storyteller.
The opening act was Jarrod Gorbel, who I’d heard play before with his former band The Honorary Title at one of Butch’s shows a couple years ago. He played an acoustic set that was really good, and the guy had a great personality and sense of humor (also, he looks like a cross between Jared Leto & Toby Maguire.) I scrounged together the last of the cash I had on me to buy his EP on the way out.
Of course when Butch came out, the place went crazy. Or at least as crazy as a small intimate venue could; he commented that he liked actually being able to see the audience (incidentally, we were able to get seats in the fifth row, which rocked.) Before he started, Butch mentioned how weird it was to be playing some of these songs, as some he hadn’t played in years, some he didn’t think he’d ever played live, and some he never wanted to play again (he’s looking at you, “Vampires in Love.”) But hey, we’d sealed our doom by voting for them, so he was going to play them (cheat sheets and all.)
It was great hearing some of the old favorites I hadn’t heard live in a while (“Let Me Go” and “Every Monday,”) as well as a bluegrassy version of “Valium.” For “Grant Park,” he kicked back and just played the guitar part and let us sing the song back to him, which is always fun; I don’t think I’ve actually heard him sing “Grant Park” in the last six years, even though I know he’s played it several times. He played a number of covers, from the familiar (James’ “Laid” has been a staple for a few years now) to the new (Simon & Garfunkle’s “Cecilia”, which Butch played on a mandolin, and excited my friend because it was the only song she knew all the lyrics to.) Butch also played a couple of tracks off his new album (which can’t get here soon enough), and then ended the evening with an unplugged version of “Take Tomorrow”, a beautiful song in its own right, but so much better when played with just a guitar and a voice, without the aid of amps or mics.
It was an awesome show, as expected. There were a few songs I would have liked to have heard (“Cigarette Lighter Love Song” is my favorite song of all time, and I also would have liked to have heard “Into the Black,” “Stateline,” or “Katrina,”) but I really can’t complain because the show still rocked my socks off (and when it’s twenty degrees outside, that can be a problem.) Below is the full setlist from the show, and all my photos can be found on my Flickr.
Butch Walker Setlist, 7 Stages Theatre, Atlanta, GA – January 13, 2010
- Wreck Me (1969)
- Let Me Go (Marvelous 3, Hey! Album)
- Last Flight Out (Heartwork EP)
- All Falls Apart (Unreleased)
- Beautiful (Marvelous 3, Ready Sex Go)
- Vampires in Love (Marvelous 3, Hey! Album)
- Laid (James cover)
- Valium (Marvelous 3, Math and Other Problems)
- I’m a Believer (Monkees cover)
- Half-Japanese Girl (Weezer cover)
- Grant Park (Marvelous 3, Ready Sex Go)
- Trash Day (I Liked It Better When You Had No Heart)
- Mrs. Jackson (Marvelous 3, Hey! Album)
- Every Monday (Marvelous 3, Hey! Album)
- Cecilia (Simon & Garfunkle cover)
- Don’t You Think Someone Should Take You Home (I Liked It Better When You Had No Heart)
- Take Tomorrow (Left of Self-Centered)
So I’ve been following this whole mess between NBC, Conan O’Brien, & Jay Leno pretty closely since the rumors started popping up last week, and I don’t see any possible way that NBC could have screwed the pooch more than they did here.
Conan O’Brien is probably my biggest influence as a comedian. I’ve been watching his show regularly since 1995, back when I was 13. Hell, I used to record his show, and then piggyback two VCRs together and make compilation tapes of his best jokes, bits, and interviews. Kinda crazy, sure, but there’s always been something about Conan that makes me laugh. Doesn’t matter how bad my day’s been, when I tune into his show, I just can’t help but laugh. Maybe it’s a redheaded geek kindred spirit thing. Who knows.
When it was announced in 2004 that Conan would be taking over The Tonight Show in five years, I was ecstatic. It was nice to see NBC respected Conan enough to give him their flagship show, and that planning the switch that far ahead would help them avoid a messy situation like what happened between Leno/Letterman when Johnny Carson retired. Needless to say I wasn’t happy when in the months leading up to the intended switch there were rumblings that Jay wasn’t ready to hand over the reins. So NBC worked out a deal to keep Jay on at 10pm in order to keep him from going to another network.
I didn’t like this for a couple of reasons. For one, that’s five less scripted shows per week, and as a person who loves scripted TV, I hate seeing five hours of primetime programming wiped off the board for something like this. For another, it struck me as an unclassy move. In their bid to keep Jay from going to a rival network, NBC pretty much slapped Conan in the face by putting another talk show on an hour and a half earlier, and it greatly diminished the significance of Conan taking over as host of the Tonight Show.
So what do the brilliant suits at NBC do? They decide to give Leno a half hour show at 11:35, then follow that up with Conan & Jimmy Fallon. Conan released a statement today saying he wouldn’t do the Tonight Show starting at 12:05, because moving the Tonight Show back to the next day would tarnish the franchise. And you know what? He’s absolutely right. The Tonight Show has started at 11:35 for 60 years, and NBC’s proposed plan would ultimately end in failure for all parties involved.
Despite how much he’s been taking shots at NBC, I don’t really see that Jay has reason to complain. He’s getting exactly what he wants: His 11:35 time slot back. And now that Conan has said he won’t be responsible for moving the Tonight Show to 12:05, all Jay has to do is sit back and wait until NBC shuffles Conan out the door and gives him the keys to the Tonight Show again. My perfect world scenario is that Leno takes the classy route of stepping down and letting go of the show he promised to Conan five years ago. But considering that he’s said recently that he’d take the Tonight Show back if NBC offered it to him, I really don’t see that happening.
There is one person who gets screwed over in this whole mess that nobody’s talking about, and that’s Carson Daly. The proposed change would find his show canceled (no idea if he gets to stay if Jay takes the Tonight Show back.) Now, when Carson Daly first came onto the late night scene, I hated his show. And I hated it because he tried to do a typical late night talk show: Open with some jokes, maybe do a bit, then guests. And that didn’t work, primarily because he’s not a comedian. However, since then he’s found a format that really works for him, where he just sits down and talks to people, and has guests on the show who are interesting or just now breaking out. I’ve found that I actually like it a lot, and regularly watch his show as part of my late night lineup.
I would love for Conan O’Brien to remain the host of the Tonight Show. I think he deserves it, and I think he’s earned it. Conan’s tenure as Tonight Show host has been much more reminiscent of Johnny Carson’s Tonight Show than Leno’s ever was, and it’s always much more interesting. When Leno was host, I’d only tune in if there was a guest I liked. With Conan as host, I want to catch every monologue, every bit, every guest. Unfortunately, it’s looking more and more likely that Conan is going to be heading to Fox, rather than remain a part of the Tonight Show legacy. And I can’t say that I blame him. While I do still curse Fox for canceling far too many quality shows before giving them a chance (I’m looking at you, Firefly), they’d probably give him more respect than NBC does. The best late night host in the biz deserves to be on a network that isn’t continually in last place. But with great programming decisions like this, is it really any wonder that NBC’s a sinking ship?